'Anatolian Stripe' by Kooches | Image courtesy of Kooches. - The Ruggist

NYICS 2016 | Preview

The New York International Carpet Show (NYICS) gets underway in New York City this 11-13 September 2016 and even before the show starts it’s as though – to quote Star Wars – there is a ‘great disturbance in the force.’ As the original autumn New York City rug and carpet show there has, in years past, been a certain caché to exhibiting and attending the show, which was in no small way, due to the disrupting nature of the show when it first broke from the then stranglehold of the Atlanta Markets in 2004. By adding an ‘Antiques Pavilion’ during this year’s show, the NYICS once again attempts – to quote Star Trek – to ‘boldly go’ into the great unknown by presenting antique and collectable carpets alongside new production. While this is not uncommon in showrooms, this is a novel approach worthy of note for what it may bring to the trade show environment and marketplace in general.

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Tiger shown in colour Pink by Joseph Carini Carpets - 100% silk handknotted in Nepal. | Image courtesy of Joseph Carini Carpets. - Tiger Carpets on The Ruggist

They’re Great! | Tiger Rugs

Within the world of rugs and carpets if one is to mention ‘Tiger Rug’ the foremost thought aught to be that of Tibetan Tiger Rugs. Not because of any exclusive domain over the motif – which there most certainly is not, but rather because in the grand and storied history of tigers as inspiration for carpets Tibet has produced some of the most amazing, lively, and original versions of the design. Whether the motif originated in Tibet, in a geographically proximal region, or in Timbuktu as a metaphor for far-off unknown places, is a scholarly debate for another time. Regardless, know that amongst the collectable and pre-commercialized rug market, Tibetan Tiger Rugs are, if you’ll pardon the pun, the cat’s meow.

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Tiger shown in colour Pink by Joseph Carini Carpets - 100% silk handknotted in Nepal. | Image courtesy of Joseph Carini Carpets. - Tiger Carpets on The Ruggist

They’re Great! | Tiger Rugs

Within the world of rugs and carpets if one is to mention ‘Tiger Rug’ the foremost thought aught to be that of Tibetan Tiger Rugs. Not because of any exclusive domain over the motif – which there most certainly is not, but rather because in the grand and storied history of tigers as inspiration for carpets Tibet has produced some of the most amazing, lively, and original versions of the design. Whether the motif originated in Tibet, in a geographically proximal region, or in Timbuktu as a metaphor for far-off unknown places, is a scholarly debate for another time. Regardless, know that amongst the collectable and pre-commercialized rug market, Tibetan Tiger Rugs are, if you’ll pardon the pun, the cat’s meow.

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'Peace' from Firesun | Image courtesy of Firesun

Carpets as Therapy | Firesun Carpets

Upon first reading of ‘The Firesun Story’ as Dena Lawrence the Artist behind their creation calls it, one can be forgiven for jumping to ill formed conclusions regarding carpet making as some form of therapy. Foremost amongst them may be the notion of entitlement one must possess to think mental woes can be healed by having artwork reproduced by people whose own problems transcend an entire range of possibilities well beyond Western realities. That is of course the simpleminded logic of today’s everything is offensive society, whereas the real meaning is far deeper and far more meaningful, if one would simply bother to look.

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do-we-need-more-design-alberto-levi-the-ruggist-ft

Do we need more design? | Op-Ed

Lately I have been asking myself this question over and over again. Perhaps because I live in a design-obsessed city, as revealed by everything from the foam patterns on one’s morning cappuccino to the style of pyjamas one wears at night. Perhaps because we just experienced ‘Milan Design Week’, a stellar event which exhibits – on a grand, theatrical scale – the myriad of possible configurations of this word ‘design’. Perhaps because furniture design has become more responsive to commercial tastes, therefore influencing designers to come up with more of the same, without much venturing into unchartered territories.

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'Brain' shown in colour 'Turquoise Abrash' from Rug Star by Jürgen Dahlmanns. Image courtesy of Rug Star.

Let’s get Intimate w/Jürgen Dahlmanns

Platitudes have already been written about Rug Star, its outgoing and buoyant bon vivant founder Jürgen Dahlmanns, and the critically acclaimed and award winning carpets which bear the individually hand signed ‘Certificates of Authenticity’ of this now iconic carpet house. To belabour and restate any of his accolades would be to do a disservice to a man who, not unlike myself, sees the world through an intellectual eye that imparts a high degree of emotional context to his work. Unlike The Ruggist however, Mr. Dahlmanns enjoys several of the the benefits of his Teutonic origins.

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'Anatolian Stripe' by Kooches | Image courtesy of Kooches. - The Ruggist

NYICS 2016 | Preview

The New York International Carpet Show (NYICS) gets underway in New York City this 11-13 September 2016 and even before the show starts it’s as though – to quote Star Wars – there is a ‘great disturbance in the force.’ As the original autumn New York City rug and carpet show there has, in years past, been a certain caché to exhibiting and attending the show, which was in no small way, due to the disrupting nature of the show when it first broke from the then stranglehold of the Atlanta Markets in 2004. By adding an ‘Antiques Pavilion’ during this year’s show, the NYICS once again attempts – to quote Star Trek – to ‘boldly go’ into the great unknown by presenting antique and collectable carpets alongside new production. While this is not uncommon in showrooms, this is a novel approach worthy of note for what it may bring to the trade show environment and marketplace in general.

Read more
'Peace' from Firesun | Image courtesy of Firesun

Carpets as Therapy | Firesun Carpets

Upon first reading of ‘The Firesun Story’ as Dena Lawrence the Artist behind their creation calls it, one can be forgiven for jumping to ill formed conclusions regarding carpet making as some form of therapy. Foremost amongst them may be the notion of entitlement one must possess to think mental woes can be healed by having artwork reproduced by people whose own problems transcend an entire range of possibilities well beyond Western realities. That is of course the simpleminded logic of today’s everything is offensive society, whereas the real meaning is far deeper and far more meaningful, if one would simply bother to look.

Read more
Rug Preview 2016 | ICFF - The Ruggist

Rug Preview 2016 | ICFF

The 2016 installment of the venerable contemporary furnishings show ICFF (International Contemporary Furniture Fair) takes place the 14-17 May 2016 at New York City’s Javits Center. Billed by the organizers as a must see ‘high end luxury’ exhibition, this year’s show is back with a wide ranging selection of rug and carpet styles from some of North America’s (and beyond) premier brands. The Ruggist will be on hand to gauge for not only himself, but for you, which carpets stand-out and which truly live up to the luxury moniker. Here’s a peek at a just few we intend to see.

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Luddite vs Technology - Galaincha | Image from The Ruggist

Modern Carpet Design | Galaincha

There are no shortages when it comes to the amazing breadth of designs available in modern carpets. From solid colour, to simple geometrics, the florals, flowers, and the abstract, to intricate layered designs, the painterly, and photorealistic, the contemporary well informed carpet consumer does not want for selection or options. And that is solely in reference to readymade carpets, not mentioning those that are made-to-order or bespoke.

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'Farmland' from Reuber Henning's 'Stripes' Collection.

Different Stripes | Reuber Henning

‘How many striped rugs have we seen before?’ begins REUBERHENNING’s Birgit Krah as if she was the one asking the questions. ‘Some are nice, a lot are boring, but stripes have always been fascinating to me. It’s a timeless pattern found in fashion, furniture, and art, even in nature. Never out, always in, the design remains classic and modern, conservative yet freaky all dependant upon how you wear it or [as is the case with carpets] which apartment we put it in.’

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