Pattern Tolerance | The Cycles of Design | The Ruggist

Pattern Tolerance | The Cycles of Design

In the quest for 'new' we simply revisit the past, again... .

When I took my first job in the rug and carpet world – as a porter no less – I  was still full of that invincible hubris and newly minted air of superiority that makes a more aged version of myself now cringe. Fresh from university and full of confidence, I was certain I was the first person ever to discover that design functions in rote, methodical cycles. I marvelled as the past returned to the present only to once again fade into oblivion. This was the thinking that compelled me to highlight ‘Circles’ in the Summer 2017 Issue of Rug Insider and it remains a strong influence in much of my critique. New and exciting is hardly new, nor is it exciting when it’s been done before.

Though I was prescient of the return of the past I knew from old design magazines and quaint television programs in syndication, at the age of twenty-two I had not yet fathomed there would be a point in my life when the return would be that of things I witnessed in my own lifetime.

Read more
On Collecting Rugs | The Ruggist

On Collecting Rugs and Carpets

A look into the mindset of a fledgling collector and the importance of 'What is it?'

Just over a year ago in June of 2016 I was on holidays visiting with family in Ohio, taking in the magnificent Royal Persian Tent of Muhammad Shah, and visiting with friends in the uberchic Red Hook district of Brooklyn, New York. While in New York I called upon the Outlet Shop of Odegard Carpets. I found a lovely ‘Youngtse’ quality carpet – 100knot Tibetan weave (crossed), handspun Himalayan wool, et cetera, in a palette that all but said: The Ruggist. It now lives in my bedroom. A short time later – while making arrangements to ship the aforementioned carpet home, I decided to have a ‘final’ browse through the firm’s online inventory, just to ‘make sure it was the right decision’. It was as though I was in fact no different than the average decorative carpet consumer: unsure, in need of a bit of hand holding. But then, as if an apparition of rug purchases future materialized in my living room delivering a cautionary tale, I realized – as every casual rug consumer, aficionado, collector, or otherwise should – that I should just buy what I love. And I loved what I saw on the screen before me: ‘Gorden Tiger’. Rrrrrraaawwwwr!

Read more
'Nine Million Stars' is a video project produced by Jan Kath and Label STEP that celebrates Nepali carpet weaving as a sustainable alternative to migrant labour. Staring famed Nepali actress Reecha Sharma and noted Nepali stage actor Tika Bhakta Jirel, directed by the award-winning Tsering Rhitar Sherpa. - The Ruggist | Image courtesy of Jan Kath.

Shine Brightly! | The Future of Weaving

A video by Jan Kath and Label STEP celebrates Nepali carpet weaving as a sustainable alternative to migrant labour.

There is a certain penchant on the part of carpet purveyors to romanticize the notion of carpet weaving as a storied, well respected, and almost nobel profession. Skills are extolled, the art and craft are professed as sublime, homage is paid to the hard work and talent of those who make carpets, and the resultant product is held as high example of handwork and human artistry. And why not? The ability to create woven cloth from fibre dates to time immemorial, with estimates dating this skill to some 27,000 years ago. And while pile carpet construction, as evidenced by the Pazyryk Carpet, dates to perhaps only the more recent but still sufficiently historic fifth century BCE, it is safe to state unequivocally that weaving has been important to the development of humandkind. But, for such a noble and profoundly important profession, ‘How many handweavers do you know here in the west?’ I ask rhetorically.

Read more
#rugswithoutborders | A social media campaign of The Ruggist to raise awareness in support of all of our friends in any rug producing country.

Rugs Without Borders | Be the change…

To show The Ruggist’s support of all of these carpet making peoples we are introducing the social media campaign #rugswithoutborders in order to highlight both the great diversity of rugs and carpets made all over the world and the vibrant cultures from which they come. ‘America (or any country) First’ is a con which fails to realize the interconnected nature of our modern world. While it is true some countries may excel where others may fail, it is our collective diversity which has given us the world in which we live. None of us – The Ruggist included of course – can claim to be omniscient or omnipotent, rather we all contribute as we are able to make this world, our world, a beautiful and vibrant place.

Read more
The Second Annual 'Un-Official Selections' of the Carpet Design Awards 2017 by The Ruggist

Un-Official Selections 2017

A Preview of the 2017 DOMOTEX Carpet Design Awards (with Selections and Commentary).

The Carpet Design Awards recognize annually the best in handmade carpet design and are, to quote, ‘a coveted international badge of excellence in quality of execution and uniqueness of design for modern hand-made carpets.’ As with any design competition however there are caveats. For instance, entrants and thus winners – with the exception of those in the ‘Best Studio Artist Design’ – must be exhibitors at DOMOTEX which obviously restricts the pool of eligible carpets. As such, it is best to think not of the Carpet Design Awards as ‘the world’s best’, but rather think of them as one would of cinema, with the Carpet Design Awards as the DOMOTEX equivalent of an Official Selection during Cannes. Similarly just as movie critics will critique with superior air, so too must those who judge rugs chime in on what is – in their opinion – hot, hot, hot.

Read more