Tufenkian
Tufenkian

On Collecting Rugs and Carpets

Just over a year ago in June of 2016 I was on holidays visiting with family in Ohio, taking in the magnificent Royal Persian Tent of Muhammad Shah, and visiting with friends in the uberchic Red Hook district of Brooklyn, New York. While in New York I called upon the Outlet Shop of Odegard Carpets. I found a lovely ‘Youngtse’ quality carpet – 100knot Tibetan weave (crossed), handspun Himalayan wool, et cetera, in a palette that all but said: The Ruggist. It now lives in my bedroom. A short time later – while making arrangements to ship the aforementioned carpet home, I decided to have a ‘final’ browse through the firm’s online inventory, just to ‘make sure it was the right decision’. It was as though I was in fact no different than the average decorative carpet consumer: unsure, in need of a bit of hand holding. But then, as if an apparition of rug purchases future materialized in my living room delivering a cautionary tale, I realized – as every casual rug consumer, aficionado, collector, or otherwise should – that I should just buy what I love. And I loved what I saw on the screen before me: ‘Gorden Tiger’. Rrrrrraaawwwwr!

Zum Kaffee mit Lucy Upward | Bochum

‘As long as you think it could work and that anyone would be interested.’ was the affirmative reply I received from Lucy Upward, Editor of COVER Magazine, when asked if she would be willing to be interviewed as part of my series ‘Over Coffee’. ‘We’ll do it over afternoon coffee at Jan Kath’s during ‘A Family Affair’ I replied, ‘I think it has the potential to be quite interesting. It will be a fun exploration of our thoughts, handfulls of people will find it enjoyable. Handfulls!!’ I concluded. ‘Handfuls. At least ten (10)… .’ Lucy replied. And so it was decided that we would sit down and chat while Lucy and I were both in attendance at the second annual ‘A Family Affair’, graciously hosted by Jan Kath, his eponymous firm, and the extended and diverse global Jan Kath family – in both the literal and figurative sense.

They’re Great! | Tiger Rugs

Within the world of rugs and carpets if one is to mention ‘Tiger Rug’ the foremost thought aught to be that of Tibetan Tiger Rugs. Not because of any exclusive domain over the motif – which there most certainly is not, but rather because in the grand and storied history of tigers as inspiration for carpets Tibet has produced some of the most amazing, lively, and original versions of the design. Whether the motif originated in Tibet, in a geographically proximal region, or in Timbuktu as a metaphor for far-off unknown places, is a scholarly debate for another time. Regardless, know that amongst the collectable and pre-commercialized rug market, Tibetan Tiger Rugs are, if you’ll pardon the pun, the cat’s meow.

Moonscape Malachite | Tufenkian

Moonscape Malachite reminds me not only of the verdant seaweed texture but also of the calm and uniqueness each place can bring in an otherwise chaotic and harsh world. Perhaps I am too intellectual in my thoughts on carpets, but would it not be so wonderful to fill your life and your home with beauty that speaks to you, not that which is simply trendy, en vogue, or popular with the neighbours? This carpet, like the ones already in my home, fulfills that wish for me; now to figure out if there is room for one somewhere… .

No Euphemisms, It’s a Knockoff!

It’s frustratingly cliché, but it’s the rug industry. The later half of that sentence has been uttered innumerable times as justification of some archaic practice that while remaining perfectly entrenched in the rug industry is not quite at home in our current times. Some are egregiously out of touch, others quaint and endearing. It is, after all, the rug industry and we must accept it for what it is or so goes the conventional wisdom. The problems – seemingly infinite as they might be – occur when convention, tradition, and ‘because that is the way we’ve always done it’ meet the modern legal structure in which we have chosen to live. As previously discussed in nauseating detail and considerable length (both on The Ruggist and in COVER) the issue of Copyright in the rug industry is not the simple black or white issue many would have you believe. Even if it were black and white (or is that white and black?), which hue of black and which hue of white are we discussing exactly? So many possibilities that we shan’t touch upon today; the position of The Ruggist is clear: Do not copy. Copy being – of course – a heavily nuanced word. It is however, the complete and utter lack of nuance that once again brings the issue of Copyright back to this electronic page.

The Carpets of Nepal | Part I

As an industry we bring modernity with all of its inconsequential demands to a place where subsistence agrarian culture still dominates the economy, where manual labour is a way of life, and were exploitation (in wide ranging and various forms) is still a major concern. We also have the ability to bring hope, compassion, understanding, and as I’ve called for, real empathy for the Nepali people. We do this by honouring them for all that they’ve done for us, and by continuing to work with them as they rebuild their country. They are a “patient, studious, artistic, nuanced and extremely hard working people, and I would not be who I am without them.” says Tom DeMarco of Kooches, speaking words universal to any serious designer of modern carpets. With that, The Ruggist presents a photographic journey that explores the best of Nepali made carpets.

Exploring Copyright

A valued reader and nouveau friend recently brought to my attention that my last article on copyright had a certain ‘Groundhog’s Day’- esque nature to it. For those of you not in the know, ‘Groundhog’s Day’ is a wonderful (and nostalgic for me: I’ve been to Punxsutawney!!) movie staring Bill Murray that explores the meaning of life through the ad nauseum repeated reliving of one day. In the end Bill Murray’s character comes to some dramatic life altering realizations, but not of course before having some fun; it is a comedy after all. But I digress. When I first read his email I thought ‘Who the hell is he calling repetitive?’ but before I could type a response in so many words, my brain had already begun to contemplate what he was saying. I quickly came to realize the point my astute reader was attempting to make is that ‘Copyright This!’ and ‘Copyright this! Again?’ are strikingly similar, and though this was not intentional it seems only appropriate that a serialized article on knockoffs and copyright would reduce itself to such a state. After all, the nuances of copyright are nearly without bounds and the subtleties are enough to make you want to smash your head between a door and door jam – repeatedly, ad nauseum, like that movie. In the end we just end up talking (at painful length) about the various permutations of what is the very short version of the issue of copyright (in the rug industry): Talented (or otherwise) people create great carpets which in turn are made by others whom we shall call greedy and lazy, which I’ve said already; again, like that movie. It’s as though I am making this intentionally repetitive at this point. No? It’s as though I am making this intentionally repetitive at this point. Oh wait….